The Guardian does its passive-aggressive thing:
The Royal Academy of Arts has apologised to an artist whose work was removed from its gift shop after it branded her views transphobic on social media, calling its initial decision a “betrayal” of its commitment to freedom of speech.
That’s an absolute car crash of a lede. The RA has apologised to an artist whose work was removed from its gift shop? What do they mean? Removed how, by whom, when? Did art thieves take it? Was there a smash and grab in the middle of the night? Did an employee of the gift shop take it home? Who removed the artist’s work?
The artist’s work was removed from its gift shop after it branded her views transphobic? The gift shop branded her views? Who cares what the gift shop thinks? And what is the connection between the removal and the branding? “After” tells us nothing except the chronology.
Her work was removed from its gift shop after it branded her views transphobic on social media? What was the gift shop doing branding her views on social media?
It’s absolutely crap writing and reporting, all in the passive voice with the actual agents rendered undetectable. Who did what?!
And this creepy evasive disappearance of agents and mention of anonymous “its” that could be the RA or the gift shop or a gang of thieves just underlines how cowardly and dishonest the Guardian is on this subject. As Orwell probably said a thousand times, writing this bad just screams of evasion.
Jess de Wahls, an embroidery artist based in London, became the focal point of the row after the Royal Academy decided to no longer stock her work after a 2019 blogpost – in which she outlined her views on gender identity politics – was deemed transphobic.
There it is again – that “was deemed.” That’s how they reported it in the beginning, and they must be pleased with the results, because there it is again. DEEMED BY WHOM?
And they hide the agency of the 8 people who “complained” to the RA while they somehow transfer the agency to Jess DeWahls. She “became the focal point of the row” – the hussy.
In a statement, the Royal Academy said it had mishandled the situation and that its internal communications had failed, which led to De Wahls hearing about the work being pulled via social media.
Yet another stupid badly-written evasive sentence.
They then quote from the statement and what DeWahls told them in response, and let us know that the culture secretary approves. Then –
De Wahls’s comments from 2019 are what led to accusations of transphobia, which the artist denied.
No her comments didn’t “lead to” the accusations. Some fanatics made the decision to punish her for her comments.
When the post was flagged, De Wahls’s embroidery work was removed from the Royal Academy gift shop, with the artist saying she was contacted by officials at organisation who told her they were investigating.
Who removed her work? Don’t just tell us it “was removed,” as if by magic invisible hands; spell it out.
And what gets the last word? In fact the two final paragraphs? None other than Peter Tatchell all over again – a reappearance of his response to the Guardian from a previous article. Why?? Why give the last word to Peter Tatchell? He’s not trans, and he’s a man, so his rights are not at stake in the way women’s rights are. Why give him the last word?