Here is the Museum of Pop Culture blog post by Chris Moore explaining why the museum is displaying JKR’s work but not her name, aka stealing her intellectual property without acknowledgement. Apart from the sheer spiteful nastiness it seems to me to be remarkably childish and silly for a museum administrator, but maybe I’m wrong, maybe it’s just pop culturey.
Remember, this blog post is on the museum’s website, so it’s speaking for the museum, not just Chris Moore the (proudly gender-special) person.
Title: She-Who-Must-Not-Be-Named
Subhead: There’s a certain cold, heartless, joy-sucking entity in the world of Harry Potter and, this time, it is not actually a Dementor.
Body of text:
We would love to go with the internet’s theory that these books were actually written without an author, but this certain person is a bit too vocal with her super hateful and divisive views to be ignored. Yes, we’re talking about J.K. Rowling, and no, we don’t like that we’re giving her more publicity, so that’s the last you’ll see of her name in this post. We’ll just stick with You-Know-Who because they’re close enough in character.
Her transphobic viewpoints are front and center these days, but we can’t forget all the other ways that she’s problematic: the support of antisemitic creators, the racial stereotypes that she used while creating characters, the incredibly white wizarding world, the fat shaming, the lack of LGBTQIA+ representation, the super-chill outlook on the bigotry and othering of those that don’t fit into the standard wizarding world, and so much more. We’re going to be focusing on You-Know-Who’s transphobic views in this blog post because she’s really doubled down on them lately.
So, hi! An introduction is important for this post because, while I’m writing for MoPOP, I’m also an individual who has been affected by her viewpoints. My name is Chris Moore (he/they) and I am the Exhibitions Project Manager at MoPOP. I’m also a board member for the Seattle Trans and Nonbinary Choral Ensemble and a transgender Harry Potter ex-fanatic.
He/they used to love HP, from 1998 on.
A bit of history is important here, too. You-Know-Who started dancing around transphobic statements in 2018 and became more vocal in 2019 by supporting a person who was fired for being transphobic. In June of 2020, she fully committed to these viewpoints and went on long, hateful Twitter tirades (we recommend not reading them, but here’s Daniel Radcliffe being an awesome ally on Rolling Stone). This caused many cast members of Harry Potter to distance themselves from her… unfortunately, it also caused many cast members to support her and out themselves as being transphobic. In the same year, she released a new book under her pen name about a serial killer who dresses in women’s clothing to seduce his victims. It ends up being an entire novel of thinly veiled transphobic scare tactics.
I haven’t read it but I’ve gathered that that’s not true…unless of course “thinly veiled” means “barely at all.”
(I have to admit I’ve tried a couple of the Cormoran Strike novels and gave up both times. I have to admit I don’t like them and don’t think they’re very good. I admire JKR as an activist but not as a novelist.)
And what is MoPOP doing? If you’ve visited the museum recently, you will have seen artifacts from the Harry Potter films in Fantasy: Worlds of Myth and Magic gallery and her likeness in the Science Fiction and Fantasy Hall of Fame. They’re there and trying to dance around it would make me look like a bigger hypocrite. But here’s the deal… it’s complicated. Long conversations are being had and a lot of considerations around what to do with problematic people and content because instances like this are going to keep happening. I’m privileged to get to work with our Curatorial team and see the decision-making processes there, so let me give you a little bit of insight into what these are like after someone outs themself as holding terrible ideologies.
Nah, I’ll stop there, thanks, and let Pecksniff do his thing by himself.
The place should rename itself the Museum of Popular Inquisition.