I’m a sucker for situations like the one Colin McGinn describes in this article in Prospect. People from what he calls ‘an academically disinclined background’ who get their minds awakened as adolescents, and develop and keep intellectual interests of some sort. I always find that setup tremendously moving.

There is for instance a beautiful bit in the movie ‘Gods and Monsters’ in which the director James Whale, played stunningly by Ian McKellen, ponders his own mysterious emergence from a grimly unaesthetic background. Where did he get all that imagination and love of beauty, he wonders, in McKellen’s beautiful reedy voice. ‘How did I get that way, where did it come from?’ He’s not denigrating his parents, merely wondering at his … Read the rest

This is a hilarious bit of reading. (Which I would have missed, despite entrenched habit of perusing the Guardian, but for Norm Geras’ always-interesting site, where you can vote for your own favourite novels, to the tune of three.) Lashings of sarcasm and mockery in Catherine Bennett’s look at Jane Root, BBC2, and the Big Read.

To ignore books is easy. So is burning them. You just need a match. But to make independent reading sound dull and great books look stupid, to transform literature into a vehicle for celebrities, polls, lists, voting opportunities and confected rivalries, to get books confidently debated by experts who have never read them, to set up a competition between Winnie the Pooh and War

A few more thoughts on ‘difficulty’ and bad writing. The result of reading another introduction, this one to the anthology Critical Terms for Literary Study. Thomas McLaughlin has some interestingly symptomatic things to say.

So the very project of theory is unsettling. It brings assumptions into question…And…it does so in what is often a forbidding and arcane style. Many readers are frightened off by the difficulty of theory, which they can then dismiss as an effort to cover up in an artifically difficult style the fact that it has nothing to say…Of course theory is difficult – sometimes for compelling reasons, sometimes because of offensive self-indulgence – but simply assuming that it is all empty rhetoric ultimately keeps you