Bottom in ‘A Midsummer Night’s Dream’ playing Pyramus says, more shrewdly than he or Shakespeare had any idea of, ‘O wicked wall, through whom I see no bliss,/ Curs’d be thy stones for thus deceiving me!’ Shakespeare surprisingly often anticipated the insights of postmodernism in this way; it is quite poignant and heart-rending to realize he wasn’t in a position to know he was doing so. We are more fortunate.
We are in a position to understand the insidious sublimated power of the wall in all its forms and manifestations, we can problematize its taken for granted status in our culture, we can interrogate the way it does its work, and thus come to an understanding of the regimes of … Read the rest