Lila Abu-Lughod has some questions.

What images do we, in the United States or Europe, have of Muslim women, or women from the region known as the Middle East? Our lives are saturated with images, images that are strangely confined to a very limited set of tropes or themes. The oppressed Muslim woman. The veiled Muslim woman. The Muslim woman who does not have the same freedoms we have. The woman ruled by her religion. The woman ruled by her men.

And now for a round of spot the irony – inadvertent irony on this occasion. Or you might call it spot the pratfall.

As the late Edward Said pointed out in his famous book, Orientalism, a transformative and critical

Johann Hari talks to the stand-up comic Shazia Mirza.

Shazia used to be a teacher in Tower Hamlets, where I live, and she would see Muslim girls rebelling against the chafing medieval codes of their fathers every day…Come 3.30 they put the hijab back on and they’re carted off to the mosque to rote-learn the Koran for three hours. They would come in the next day exhausted, having not done their homework, and they would say, ‘My parents say the Koran comes before homework.’” Shazia understands this better than most: her parents are, she says, “fanatics.” She was forbidden to leave the house throughout her teenage years except to go to school. “I’m a woman, and I couldn’t stand

Eric Alterman looks at what happens when people don’t think truth matters.

It’s a truism that once an accusation is leveled, it’s impossible to erase entirely from the public memory. This is doubly true when it comes to the deceased, and doubly dangerous in our political world, in which debate is driven by cable news networks that show little interest in quaint questions involving what’s actually true…Given the fact that most casual news consumers cannot be expected to sift through competing claims of evidence and the like, the media’s disregard for traditional standards of verification is one of the right wing’s most potent weapons.

Alterman cites a story (originally based on a mistake) that I F Stone was a Soviet … Read the rest

Further update on Birmingham museum story. A commenter pointed out the statement by Artists Circle. It seems fairly reasonable, actually. Debatable, but reasonable – not a mere taboo-invocation or shut up woman incident.

The individual was concerned by an image entitled: ‘Waiting’ which showed a couple of male bystanders looking at a partially dressed woman lying on the ground. The information available regarding the picture read along the lines of ‘This photograph was taken at the bus point.’ There was no other contextual information accompanying the photograph[,] which caused further concern.

The museum also mentioned the lack of contextual information in its email to Andy Gilmour. Miah said in the Guardian article, however:

The partially dressed figure