Let’s see Fish and Eagleton – or should I adopt the latter’s sophisticated witticism and call them Eaglefish? – sneer at progress, liberalism and enlightenment in the context of Delara Derabi’s last minutes, and her parents’ experience of her last minutes. First some Eaglefish sneering –

Progress, liberalism and enlightenment — these are the watchwords of those, like Hitchens, who believe that in a modern world, religion has nothing to offer us…[W]e are where we always were, confronted with a choice between a flawed but aspiring religious faith or a spectacularly hubristic faith in the power of unaided reason and a progress that has no content but, like the capitalism it reflects and extends, just makes its valueless way

Stanley Fish is moved to let us know that he is just as woolly and assertive and bad-mannered and rhetorical as Terry Eagleton and Mark Vernon and Madeleine Bunting and the rest of the ‘new atheists are bad‘ crowd.

[T]he British critic Terry Eagleton asks, “Why are the most unlikely people, including myself, suddenly talking about God?” His answer, elaborated in prose that is alternately witty, scabrous and angry, is that the other candidates for guidance — science, reason, liberalism, capitalism — just don’t deliver what is ultimately needed.

Eh? ‘Other candidates’ than what? Other than Eagleton? Those are our choices – Eagleton on the one hand and science, reason, liberalism, capitalism on the other? Why? How? Who says?… Read the rest

Another woman is reminded that she is not allowed to do anything, and so are all the other women in her part of the world.

The murder of Ayman Udas, who was in her early thirties and newly married, has shocked the city’s artistic community because it symbolises a backlash against women and cultural freedom in an area that is increasingly dominated by Islamic fundamentalists. As a singer and song writer in her native Pashto, the language of the tribal areas and the NorthWest Frontier province, Udas frequently performed on PTV, the state-run channel. She won considerable acclaim for her songs but had become a musician in the face of bitter opposition from her family, who believed it was