Immigrant, ethnic minority, asylum-seeker – slivers of insinuation separate
the meanings of each term in contemporary Britain. Ethnic minority, black and
Asian, cultural diversity – clouds of obfuscation have distinguished contemporary
arts in Britain over the past 30 years.
That I draw an analogy between socio-political and artistic terminology is
not incidental: socio-political concerns have determined arts-funding policy
for the past three decades. Ever since, in fact, the publication of Naseem Khan’s
seminal report for the Arts Council in 1976, ‘The Arts Britain Ignores’. This
year sees the launch of yet another arts initiative, designed to heap attention
on ‘culturally diverse’ arts, aptly titled ‘decibel’ (noise). Why do we need
a showcase of ethnic arts? And what noise is decibel… Read the rest