States of feeling, and of thought coloured by feeling
You know how John Stuart Mill had a mental crisis, and became unable to take pleasure in anything. One thing that helped him was reading Wordsworth. Byron was no good to him, Byron was too melancholy himself, but Wordsworth was just the thing – ‘the miscellaneous poems, in the two-volume edition of 1815,’ to be exact.
“In the first place, these poems addressed themselves powerfully to one of the strongest of my pleasurable susceptibilities, the love of rural objects and natural scenery; to which I had been indebted not only for much of the pleasure of my life, but quite recently for relief from one of my longest relapses into depression. In this power of rural beauty over me, there was a foundation laid for taking pleasure in Wordsworth’s, poetry. the more so, as his scenery lies mostly among mountains, which, owing to my early Pyrenean excursion, were my ideal of natural beauty. But Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth’s poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings, which I was in quest of. In them I seemed to draw from a Source of inward joy, of sympathetic and imaginative pleasure, which could be shared in by all human beings…”
And we can do it without God. The Eagletons of the world don’t need to get in a panic.
Wholeheartedly agree with you on this one. To me, invoking God seems to lessen the sense of admiration and awe to be found in the natural world.
I agree. The garden without fairies is enough on its own. And I also think that an understanding of how nature works *enhances* the pleasure to be had from it. It is not the case (for me at least) that mystery is to be desired and knowledge to be shunned in case it spoils things. As enjoyable as the magic show is when you’re ignorant, how exciting it is when you see the skill of the performer at work.
‘Oh! It is only a novel! … Only Cecilia, or Camilla, or Belinda;’ or, in
short, only some work in which the most thorough knowledge of
human nature, the happiest delineation of its varieties, the liveliest
effusions of wit and humour are conveyed to the world in the best
chosen language.