Sarah Ditum on the different standards for your Gaugin and Picasso on the one hand and your Jess DeWahls on the other:

And what had De Wahls actually done to make herself untouchable? In 2019, she published a long, considered essay laying out her thoughts on gender identity. “My hope is that this will help you, the reader, the viewer, to understand my conclusions about this subject,” she wrote. “And I will tell you them candidly so no mistake can be made in misunderstanding or misrepresenting me.” As anyone who has ever ventured an opinion on gender could tell you, this was always a vain hope given the torrents of bad faith that run through this subject.

…So it didn’t matter how precise De Wahls was when she wrote: “I have no issue with somebody who feels more comfortable expressing themselves as if they are the other sex (or in whatever way they please for that matter).” It didn’t matter that she described her own close and supportive relationship with her father, who lives a gloriously gender-nonconforming life in heels and lipstick. It didn’t matter that De Wahls, who was a child in pre-unification East Germany, drew parallels between the chilling propriety of gender-identity dogma and the constant self-censorship demanded by life under the stasi.

What mattered was that she had said no, and no amount of thoughtfulness or articulacy can make female refusal inoffensive. “I can not accept people’s unsubstantiated assertions that they are in fact the opposite sex to when they were born and deserve to be extended the same rights as if they were born as such,” De Wahls stated, and in doing so she asserted both an internal and an external boundary: a boundary that said she would not automatically treat male people as though they were female, and a boundary that said she would not think of male people as though they were female.

Not permitted. Some people are allowed to have boundaries, and others are not. Some people are allowed to ignore boundaries, and others are not.

“The RA is committed to equality, diversity and inclusion and does not knowingly support artists who act in conflict with these values,” it said in a statement. Although you can still buy a book about child-rape enthusiast Gauguin and prolific mistress-abuser Picasso.

Or maybe “equality, diversity and inclusion” simply aren’t on offer for a Tahitian teenager who ends up at the wrong end of an artist’s syphilitic penis. There’s an argument which used to be made (and thankfully isn’t so much anymore) than an artist’s special role in society sets him (always a him, in this argument) beyond the norms of bourgeois decency: if it cost Picasso “the blood of those who loved him” (in the words of his granddaughter Marina) to produce that tasteful cubist nude so you can hang a print of it in your living room, then so be it.

Because the people harmed by Gaugin and Picasso were only women. Women don’t matter. That, not coincidentally, is why trans women matter and women don’t. Women’s place on the Mattering Map is nowhere at all.

But then, De Wahls is a woman, and historically the RA has always found decency a useful weapon for excluding women: it deemed women too delicate to take part in life drawing classes except as models, and so denied them a complete artistic education, which in turn justified keeping them out of any significant role in running the Academy.

Now it’s “inclusion” that does it.