Dayum, talk about one-sided…

Peggy Noonan has a think piece at the Wall Street Journal deploring all this uncontrolled rage.

What we are living through in America is not only a division but a great estrangement. It is between those who support Donald Trump and those who despise him, between left and right, between the two parties, and even to some degree between the bases of those parties and their leaders in Washington. It is between the religious and those who laugh at Your Make Believe Friend, between cultural progressives and those who wish not to have progressive ways imposed upon them. It is between the coasts and the center, between those in flyover country and those who decide what flyover will watch on television next season.

That’s all very hackneyed and not terribly applicable to the rage we’re seeing right now, but maybe she gets better as she goes on?

She says that violent art, unlike witty art, excites unstable young men.

They don’t have the built-in barriers and prohibitions that those more firmly planted in the world do. That’s what makes violent images dangerous and destructive. Art is art and censorship is an admission of defeat. Good judgment and a sense of responsibility are the answer.

That’s what we’re doing now, exciting the unstable—not only with images but with words, and on every platform. It’s all too hot and revved up. This week we had a tragedy. If we don’t cool things down, we’ll have more.

We had tragedies before this week, too. But no doubt she’s getting to that?

Tuesday I talked with an old friend, a figure in journalism who’s a pretty cool character, about the political anger all around us. He spoke of “horrible polarization.” He said there’s “too much hate in D.C.” He mentioned “the beheading, the play in the park” and described them as “dog whistles to any nut who wants to take action.”

“Someone is going to get killed,” he said.

That was 20 hours before the shootings in Alexandria, Va.

The gunman did the crime, he is responsible, it’s fatuous to put the blame on anyone or anything else.

But we all operate within a climate and a culture. The media climate now, in both news and entertainment, is too often of a goading, insinuating resentment, a grinding, agitating antipathy. You don’t need another recitation of the events of just the past month or so. A comic posed with a gruesome bloody facsimile of President Trump’s head. New York’s rightly revered Shakespeare in the Park put on a “Julius Caesar” in which the assassinated leader is made to look like the president. A CNN host—amazingly, of a show on religion—sent out a tweet calling the president a “piece of s—” who is “a stain on the presidency.” An MSNBC anchor wondered, on the air, whether the president wishes to “provoke” a terrorist attack for political gain. Earlier Stephen Colbert, well known as a good man, a gentleman, said of the president, in a rant: “The only thing your mouth is good for is being Vladimir Putin’s c— holster.” Those are but five dots in a larger, darker pointillist painting. You can think of more.

Hm. Striking, isn’t it – it’s all about angry rhetoric hostile to Donald Trump – none of it is about angry rhetoric issuing directly from Trump’s stubby thumbs on the Twitter machine.

It takes some fucking gall to point the Finger of Rebuke at people who react with rage to Trump while ignoring Trump’s countless public fits of rage before an audience of billions.

Trump, don’t forget, paid for a full page ad in the New York Times to demand the death penalty for the Central Park 5 – who were later demonstrated not to have committed the crime at all.

Trump promoted birtherism for years. How many acts of racist violence do we suppose that inspired? We of course don’t know, but then neither does Noonan know whether or not the Alexandria shootings were inspired by Stephen Colbert.

We have been seeing a generation of media figures cratering under the historical pressure of Donald Trump. He really is powerful.

They’re losing their heads. Now would be a good time to regain them.

They have been making the whole political scene lower, grubbier. They are showing the young what otherwise estimable adults do under pressure, which is lose their equilibrium, their knowledge of themselves as public figures, as therefore examples—tone setters. They’re paid a lot of money and have famous faces and get the best seat, and the big thing they’re supposed to do in return is not be a slob. Not make it worse.

By indulging their and their audience’s rage, they spread the rage. They celebrate themselves as brave for this. They stood up to the man, they spoke truth to power. But what courage, really, does that take? Their audiences love it. Their base loves it, their demo loves it, their bosses love it. Their numbers go up. They get a better contract. This isn’t brave.

If these were only one-offs, they’d hardly be worth comment, but these things build on each other. Rage and sanctimony always spread like a virus, and become stronger with each iteration.

And it’s no good, no excuse, to say Trump did it first, he lowered the tone, it’s his fault. Your response to his low character is to lower your own character? He talks bad so you do? You let him destabilize you like this? You are making a testimony to his power.

Fine, but it’s hardly fair to rebuke the tone of the Griffins and Colberts while not even mentioning Trump’s long long history of abusive public rhetoric.