Pseudo-progressive verbiage

Cathy Young on Trump and DEI:

Trump’s DEI and affirmative action ban has received at least partially positive reviews not only from the MAGA right and the anti-woke commentariat but from liberal centrists like Matt Yglesias and Noah Smith (“an idea whose time has probably come”) and even some leftists who regard DEI as feelgood corporate flimflam.

These reactions reflect the fact that diversity programs in the workplace and on campus have come under intensive criticism in recent years, both for enforcing progressive groupthink and for substituting pseudo-progressive verbiage for meaningful change.

That’s an interesting point. Verbiage is such a convenient alternative to actually doing something. It’s also a necessary first step, but still – there is a lot of all talk and no action, aka all hat and no cattle, in political controversies. (I doubt that applies solely to the left.)

The New York Times, which the Trumpian right regards as the Pravda of the Democratic left, reported a year ago that many companies were backing away from more controversial DEI initiatives such as mandatory anti-bias trainings that can turn into hectoring and struggle sessions. More recently, the Times also ran a long investigative article on the polarizing and demoralizing effects of an aggressive DEI initiative at the University of Michigan.

Adds to reading list

Academic, writer, and podcaster John McWhorter, a longtime critic of the progressive antiracism model who has also been scathingly critical of Trump, told me by email, “With reluctance, I find myself agreeing with Trump on this one, including the idea that imposing it on the government will set a model/mood for the rest of the country including private institutions to follow.”

While McWhorter once believed that race and gender preferences in the corporate world (though not in academia) had value as a way to offset traditional biases, he now thinks that in practice, DEI amounts to lowering standards and overfocusing on skin color: “It’s the way it comes out too often to be ignored.” He also thinks that “general awareness of the value of looking beyond white men has settled in over the past thirty years enough that we need not fear that the end of DEI programs will return us to Mad Men.”

Ah, Mad Men. I only saw a few episodes of that, but I think I get the drift. Sometime last year I watched The Apartment for the first time in decades, and yeah – the race thing simply staggered me. It’s not a surprise in Gone With the Wind, but The Apartment is not 1939, it’s 1960.

What race thing? This: there are precisely two Black characters in the entire movie. The first one we see is a man crouching on the floor shining a white boss’s shoes while the boss has an important conversation. At the end of the chat the boss (Fred McMurray) throws a coin at the guy crouching on the floor. The second one we see is a janitor pushing a cart; a white-collar white guy who has just quit (Jack Lemmon) takes off his office-drudge fedora and puts it on the janitor’s head, yanking it down hard.

In short both appearances are absolutely cringe territory, and there are no others.

It’s a Billy Wilder film. Wilder of course fled the Nazis, and yet…

It was a salutary wake-up call, I guess.

Back to Cathy Young’s piece later.

H/t Sackbut

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