Great Lowing Herds of Rebels
Erin O’Connor at Critical Timber continues to expand on her discussion of conformity in the humanities. There are new posts here and here.
This is a large, rich subject, and one that has been under discussion for quite a long time, for instance in the pages of the late lamented Lingua Franca. William Kerrigan has an excellent essay on his enchantment and then disenchantment with Derrida and ‘theory’ called ‘The Falls of Academe’ in Wild Orchids and Trotsky. David Lehman discusses the displacement of literature by literary ‘theory’ in Signs of the Times. Helena Echlin describes the misery of being a literature graduate student at Yale in this essay.
But my professors look at me as if I am the village idiot. It tires me out listening to long sentences that sound like English but lack all meaning. And resistance isn’t easy. Where there is noparaphrasable meaning, dissent is impossible, because there is no threshold for attack. It is like trying to disagree with a poem by Mallarmé. (Without the poetry.)
Without the poetry indeed.
In general, students and faculty at Yale do not explicitly espouse theory, or particular theorists. But high theory, whatever its merits or demerits, has validated the use of jargon. People who talk nonsense are now looked upon not as sloppy thinkers, but as sages. The ode must traverse the problem of solipsism…
It sounds very like an email O’Connor received last year:
Hipper-than-thou graduate colleagues literally smirked when I voiced my thoughts in class, then snubbed me in the hallway; professors dismissed my papers as naive and romantic. In a private meeting, one professor questioned me about my “evident resistance” to critical theory, which she described as a “problem.” Chiding me to “rise above the undergraduate level,” she encouraged me to adopt more “rigorous” critical approaches. When I asked her to elaborate, she reeled off a dozen theorists–Jameson, Spivak, Said, etc.–whose “sophisticated” analyses should “inform” my thought.
Oy veh – can’t you just hear them. Naive and romantic, indeed! But ‘critical theorists’ themselves are never naive, oh hell no, they’re the only sophisticated people on the planet, they are. Yes and offering up the same old dreary list of red-hot ‘theorists’ is all that’s required for ‘informed’ thought. Because Jameson hung the moon, and Spivak invented the wheel, and no one thought about power until Foucault came along. That’s one of the rich ironies of the whole thing, of course: the way a discipline that prides itself on being cutting-edge and hip and non-naive is in fact so remarkably sheep-like and suggestible and line-toeing. Read Mark Crispin Miller’s account of attending a lecture by Homi Bhabha. The acolytes he saw talking to his friend after the lecture, who were so overcome with admiration and yet so unable to articulate why and of what…How can we not suspect that we have a bad case of Emperor’s new clothes here? That they are all simply unwilling to be the ones to say ‘That just sounded like a lot of empty words being shoved around like so many tiddlywinks to me’? No, so much better just to go on assuring each other that it was all terribly sophisticated and rigorous, and simply accuse anyone who doesn’t agree of ‘resistance’ to theory. The trick served Freud well, after all; it got him an undeserved reputation as a brave and lonely iconoclast; so let’s all do that. How else are we going to get tenure?
Perhaps its different over here, and I have to confess that my exposure has been mercifully limited, but my impression of the humanities in the UK is that rather than being particularly leftist it is better characterised by a deliberate obscurantism that actually neuters political discourse of any variety. While, say the gender focused analyses of whatever, or the criticism of this or that phallocentrism (whatever that means!) might seem progressive on the surface you are always left with the impression that the scholar would really rather stay in their ivory tower and not get involved in actually changing anything – its all a pretentious little game, and if you get someone early enough (e.g. PhD student) they’ll admit it.
Yes, that’s not so much different as the same, I think. That’s the point O’Connor was making in her first post on the subject, last week. That the real dominance in the humanities is not so much of leftism as of conformity.
And the displacement of real politics aspect is true (and often remarked) here too. There’s an unmistakable air of posing about it all. Chatter about transgression that goes…nowhere. Which is fine, people do what they do, I’m not out on the barricades either, but the revolutionary airs then become a tad risible.
I think the point I was trying to make is that the leftist posturing seems less common over here, or at least my little corner of the UK academy. Unfortunately the really silly bits of postmodern posing remain – so in a way its worse, postmodern posing without the politics that motivates it.
Yes, my colleague also tells me there’s less [of certain kinds of] nonsense over there.
One could see it as in a way better, too, I suppose – that when you have postmodernism without leftism, leftism is less contaminated by posing.